Superimpositions and Vampires in Jess Franco’s Cinema
نویسندگان
چکیده
Within fantastic and horror cinema, the technique of superimposing images has played a fundamental role since its inception when it comes to representing supernatural. In this text we will focus on adaptations Bram Stoker’s Dracula in range vampire films, which, starting with Murnau’s Nosferatu (Nosferatu, eine Symphonie des Grauens, 1922), have their own peculiarities use superimposition as visual effect. To delve into effectiveness narrative uses technique, compare two films that adapt novel from very different times perspectives: Count (El conde Drácula, 1969) Vampire Blues (Los blues del vampiro, 1999), both directed by Jesús “Jess” Franco. We distinguish made 35mm digital video allows today, analyze technical rhetorical functions device performs levels story discourse titles.
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ژورنال
عنوان ژورنال: Comparative cinema
سال: 2023
ISSN: ['2604-9821']
DOI: https://doi.org/10.31009/cc.2022.v10.i19.02